by Gabriel Orozco, Ann Temkin, Gabriel Orozco, Mia Fineman, Phyllis Rosenzweig, Shirin Neshat, Jean-Pierre Criqui, Angeline Scherf, Molly Nesbit, Briony Fer, Benjamin Buchloh
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This new exhibition takes the 2005 painting 'The Eye of Go' as its starting point, and looks at how the circular geometric motif of this painting - part of a way of thinking for Orozco, a way to organise ideas of structure, organisation and perspective - migrates onto other work, recurring in other paintings, sculptures and photographs. A highlight of the exhibition is a series of large geometric works on acetate, made in the mid 1990s, yet never before exhibited. Rather than surveying the whole range of Orozco's practice, the exhibition seeks to cut a conceptual slice through it, to look deeply into the mechanics of the artist's thinking and working process. Not only does the exhibition propose a different view of Orozco's major contribution to changes in art in the 90s but it brings to the fore the urgent problem of art's 'makeability' now.
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["20th century""ArtMexican""Artistic Photography""Catalogs""Criticism and interpretation""Exhibitions""Mexican Art""Notebookssketchbooks""Notebookssketchbooksetc""Photography of sculpture""PhotographyArtistic""OUR Brockhaus selection""Bildende Kunst""Arts""Photographs: collections""Exhibition Catalogs""Art""Photography""Photo Essays""Individual Photographer""Installation""Photography / Individual Photographer""CollectionsCatalogsExhibitions - General""Individual photographers""Art & Art Instruction""Individual Artist""Art / Individual Artist""Individual artists""Sculpture & other three-dimensional art forms""History - Contemporary (1945- )""Assemblage Art""Orozcogabriel1962-""N6559.o755 a4 2013""700.411.2"]